Artists |
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| blown art glass | John Cook | |
| Cliff Goodman | ||
| Ingrid & Ken Hanson | ||
| Dale Heffernan | ||
| Smyers Glass | ||
| ceramics | Catherine Merrill | |
| Janice Rowell | ||
| fine jewelry | Mylene Bernard | |
| Opera Alley Designs | ||
| Ann Wallach | ||
| graphite objects | A. S. Batle | |
| mixed media | Susan Hersey | |
| mobiles | Timothy Rose | |
| oil paintings | Annette Poitau | |
| Gregory Vasgerdsian | ||
| serigraphs | Michael Guerriero | |
| textiles | Michael Kensinger | |
| wire drawings | Sten Hoiland | |
| Michael Guerriero |
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There is a formula I mix. The contents of which are simple: an image that I find captivating, a malleable process in screen printing, a routine that carries my interests and the communication of sharing the product. I choose landscape images for their ability to capture my excitement for natural beauty. |
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| I look to describe performances of weather, light coursing through the ridges of forests, the moving surface of water, the quiet weight of snowfall. It is important that I interweave my relation to the image as it speaks of my sight, experience and memory of the time. |
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| As each edition is planned I commit to a set of activities and materials that carry me through the process, each step leaving evidence of the product. There is a cadence to the production of multiples, developing strategies and attending to the details. I view a printed image as it refers to previous work and to where it might lead. As the vantage of various outlooks become apparent they guide me, like hopping stone to stone to cross a stream. I have an image in mind that provides the initiative to get across, while the destination depends on the various leaps taken. |
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